{"id":4696,"date":"2023-02-22T17:47:59","date_gmt":"2023-02-22T21:47:59","guid":{"rendered":"https:\/\/cerca.org.mx\/?page_id=4696"},"modified":"2023-02-22T17:53:44","modified_gmt":"2023-02-22T21:53:44","slug":"john-izzik","status":"publish","type":"page","link":"https:\/\/cerca.org.mx\/en\/john-izzik\/","title":{"rendered":"John Izzik"},"content":{"rendered":"<div id=\"pl-4696\"  class=\"panel-layout\" ><div id=\"pg-4696-0\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-4696-0\" ><div id=\"pgc-4696-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4696-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<h2 style=\"text-align: center;\"><span style=\"color: #2aa5d6;\">John Izzik<br \/>\n<\/span><\/h2>\n<hr \/>\n<\/div>\n<\/div><\/div><div id=\"panel-4696-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Since April 2013 I have been living in La Paz, B.C.S. under the Permanent Resident regime, I have a Federal Taxpayer Registry.<\/p>\n<blockquote>\n<p>\u201cEach blank canvas plunges me into a wordless confrontation. It may be scribbling directed at the bare canvas, and soon colors appear here and there\u2026as if the canvas is guiding me to apply another color, in another way, and then again. I let my intuition dance with the canvas\u2026until I reach satisfaction.\u201d<\/p>\n<p style=\"text-align: right;\">John Izzik<\/p>\n<\/blockquote>\n<p>In 1985 and 1986 he was awarded the Pacifete Prize 85 and by the Francofonito Arts Council 86 in Vancouver, Canada; in 1993 won first place at the Visual Arts Festival in Trail, British Columbia, Canada.<\/p>\n<p>In 2017, he received the Acquisition Award with his painting \"The Rude Awakening of Queen Calafia\" at the VIII Carlos Olachea Sudcalifornian Biennial of Visual Arts in La Paz, Baja California Sur.<\/p>\n<h3><strong>Exhibitions<\/strong><\/h3>\n<p>1985 - 1st prize PACIFETE Vancouver Exhibition Robson-Square Gallery<\/p>\n<p>1985 - OXFORD GALLERY, Seattle, WA, USA (Collective)<\/p>\n<p>1986 - STEEL GALLERY, Bruges, Belgium (Collective)<\/p>\n<p>1987 - GELE GIER GALLERY, Ghent, Belgium (Individual)<\/p>\n<p>1988 - CATHARINA GALLERY, Amsterdam, The Netherlands (Individual)<\/p>\n<p>1989 - SINCLAIR CENTER, Vancouver, Canada (Individual)<\/p>\n<p>1990 - Art Festival in Lion Bay, BC, Canada, (Collective)<\/p>\n<p>1991 - Seymour Art Center, Vancouver, BC, Canada (Collective)<\/p>\n<p>1993 - SANDWELL GALLERY, Vancouver, BC, Canada (Individual)<\/p>\n<p>2004 - FOX HOLLOE GALLERY, Eugene, Oregon, USA (Individual)<\/p>\n<p>2013 - LA ENCANTADA GALLERY, La Paz, B.C.S, Mexico (Individual)<\/p>\n<p>2014 - WINGS AND WAVES GALLERY, Todos Santos, B.C.S, Mexico (Collective)<\/p>\n<p>2015 - NIM RESTAURANT, La Paz, B.C.S, Mexico (Individual)<\/p>\n<p>2016 - LA MORANTE GALLERY, La Paz, B.C.S, Mexico (individual)<\/p>\n<p>2017 - LA PINTADA GALLERY, B.C.S House of Culture (Individual)<\/p>\n<p>2018 - LA PINTADA GALLERY, B.C.S House of Culture (Individual)<\/p>\n<p>2019 - LA PINTADA GALLERY, B.C.S House of Culture (Individual)<\/p>\n<p>2017 - CARLOS OLACHEA BOUCSI\u00c9GUEZ ART GALLERY (Individual)<\/p>\n<h3><strong>Participation in the Sudcalifornian Biennial<\/strong><\/h3>\n<p>2017 - EIGHTH SUDCALIFORNIAN BIENNIAL Acquisition Award<\/p>\n<p>2021 - TENTH SUDCALIFORNIAN BIENNIAL Collective exhibition of participants<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>John Izzik Desde abril del 2013 radico en La Paz, B.C.S. bajo el r\u00e9gimen de Residente Permanente, cuento con Registro Federal de Contribuyentes. &#8220;Cada lienzo en blanco me sumerge en una confrontaci\u00f3n sin palabras.\u00a0 Puede que sean unos garabatos dirigidos al lienzo desnudo y, pronto, aparecen colores aqu\u00ed y all\u00e1 \u2026como si el lienzo me &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/cerca.org.mx\/en\/john-izzik\/\"> <span class=\"screen-reader-text\">John Izzik<\/span> Read More &raquo;<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4696","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/pages\/4696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/comments?post=4696"}],"version-history":[{"count":3,"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/pages\/4696\/revisions"}],"predecessor-version":[{"id":4699,"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/pages\/4696\/revisions\/4699"}],"wp:attachment":[{"href":"https:\/\/cerca.org.mx\/en\/wp-json\/wp\/v2\/media?parent=4696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}